The Stranger's Child

The Stranger's Child

Book - 2012
Average Rating:
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From the Man Booker Prize-winning author of The Line of Beauty : a magnificent, century-spanning saga about a love triangle that spawns a myth, and a family mystery, across generations. In the summer of 1913, George Sawle brings his Cambridge schoolmate—a handsome, aristocratic young poet named Cecil Valance—to his family’s home outside London. George is enthralled by Cecil, and soon his sister, Daphne, is equally besotted by him. That weekend, Cecil writes a poem that, after he is killed in the Great War and his reputation burnished, will become a touchstone for a generation, a work recited by every schoolchild in England. Over time, a tragic love story is spun, even as other secrets lie buried—until, decades later, an ambitious biographer threatens to unearth them.
Publisher: [S.l.] : Vintage, 2012
ISBN: 9780307474346
0307474348
Branch Call Number: F HOL
Characteristics: 448 p. ; 20 cm

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pomtree Jan 19, 2013

This novel didn't quite work. Hollinghurst took a risk (probably motivated by young up-and-comers like David Mitchell) with the structure of the novel. Although it was clever, he didn't pull it off. The book is tedious, slow and quite frankly, boring!

e
eevans7
Jul 03, 2012

I loved this book! I picked it up on vacation thinking it might be too slow for a beach read, but I couldn't put it down. The pace is slow and deliberate in a good way. Hollinghurst knows exactly which details to include so that you really get the perfect sense of a person's character and all the little mundane social situations that make up an interesting life. I loved the way he tied together all the generations and eras.

l
ladiablesse
Jun 29, 2012

Terrific, page-turning read.
If you enjoy Downton Abbey, E.M. Forster or Brideshead Revisited, you'll inhale this book. Anything but fusty, its pages are alive with well-observed, smartly delineated characters, in witty, well-turned prose. Though less explicit than his earlier books, this novel "outs" the gay subtext of its literary forbears with style and verve. A sweeping social novel that's remains intimate, through the touchstone of fictional WW1 poet, Cecil Valance.

joyhuebert Feb 09, 2012

I was a bit disappointed by the later chapters of this book that got dragged down in too much boring detail. His concept is fantastic, how life moves on and history can never be exactly re-created, but it lacks the sizzle of Line of Beauty.

m
macierules
Jan 21, 2012

My favourite type of novel - a sweeping family saga. The author lost me a bit from 1977 on as I couldn't see so much interest happening in the publishing world for a not-so-famous poet.

j
jbmcfarland
Dec 31, 2011

After hearing lavish praise for this novel and enjoying "The Line of Beauty," I was surprised to find this one so 'clever,' overwrought and distractingly choppy... it covers much time (potentially epic given the century) but the characters (who have names that blur together... clara, luisa, frieda, karina, jeff, john, etc) never seem to come alive as real personalities. This may stem from the heavy burden put on narration, but the result is that I just didn't care about any of them, esp the twits (of which there are many many many). There is also a nasty undertone to the thread of class theme since its time period spans time with its shift from old family aristo dominance to the rise of people who would have 100 years before been servants to the idiots with the names. Rather unpleasant, esp with all the dissimulation, lying and closeting of sexual antics of the fools, not to mention the mystery the reader expects to be clarified is muddied even more by the unsatisfying end in a junk store and old house about to be demolished (could it be SYMBOLIC? god!).

s
shapjul
Dec 31, 2011

I thought this book was a wonderful leisurely read. I had to put it down from time to time to think it over and absorb it. There are five sections, each a slice of the 20th century. Characters appear and reappear. The style/tone changes to suit the period--so the first section (pre-WW1) is much more languid and Forsteresque than the later ones. It's a consideration of the history of gay relationships in a way.

The consistent center is a young poet who dies in WW1. He's in the first section but then the rest become a story of the struggle to control his narrative. It's really beautifully written and I found it quite compelling.

I see that someone else says it is disjointed, but I disagree. It is slices of a century during which attitudes towards same-sex love changed quite a bit. I don't think it is really meant to be a family saga, but more a story about how history (writ small) is made and owned.

u
uncommonreader
Dec 30, 2011

Old-fashioned. Hollinghurst is a snob.

b
baylife
Oct 27, 2011

Characterisation poor. A family saga that misses drawing the There are big leaps in time and it seems very disjointed.

debwalker Oct 03, 2011

"Alan Hollinghurst’s characters like going to parties; or, if they don’t exactly like going, they can’t, for various reasons, stay away. Nick Guest, the main character in Hollinghurst’s previous novel, The Line of Beauty, was, as his name suggests, a wonderfully social being and the novel, which won the Man Booker Prize, offered a vivid portrait of the cultural and sexual mores of 1980s London. Now, seven years later, in The Stranger’s Child, Hollinghurst once again sends his characters to many parties. He is a dazzling writer, but never more so than when describing an extended scene with people coming and going, and having one too many gin and tonics."
Margot Livesey
Globe and Mail

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