The Noise of Time

The Noise of Time

Book - 2016
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A masterful novel dedicated to the Russian composer Dmitri Shostakovich, from the bestselling, Booker Prize-winning author of The Sense of an Ending .


The book begins in 1936, with Dmitri Shostakovich petrified at the age of thirty and fearing for his livelihood and even his life. His opera Lady Macbeth of the Mtsensk District has just been denounced in Pravda in an article that certainly reflects the opinion of Joseph Stalin himself. Every night he waits on the landing outside his apartment, expecting NKVD agents to come and whisk him away. Shostakovich reflects on not only his predicament but also his own personal history, his parents and his various women and wives and his children, and all who are still alive themselves hang in the balance of his fate.
When the interrogation he fears does eventually arrive, a stroke of luck prevents him from becoming a casualty of the Great Terror that claims so many of his friends and contemporaries--"chips that had flown while the wood was being chopped." Still, the spectre of the government hovers over him for several further decades, forcing him to constantly weigh the merits of appeasing those in power against the integrity of his music. Barnes elegantly guides us through subsequent stages of Shostakovich's life, from being ground into the dirt under the thumb of despotism to being made to serve as a figurehead of Soviet values at a cultural conference in New York, and finally being forced into joining the Party. The trajectory of his career illuminates the evolution of the Soviet Union, with Nikita Khrushchev assuming its leadership, this providing no great joy to Shostakovich.
The Noise of Time is both a heartbreaking account of a relentlessly fascinating man's experience and a brilliant meditation on the meaning of art and its place in society.
Publisher: Toronto :, Random House Canada,, 2016
ISBN: 9780345816573
Branch Call Number: F BAR
Characteristics: xi, 201 pages ; 20 cm

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HMWLibrary2017 Jul 14, 2017

Quiet but profound. A portrait of a great artist tormented by his appeasement of Stalin. Although very much an historical novel, "Noise of Time" has universalized themes including the nature of bravery and cowardice.

j
jr3083
Dec 28, 2016

I must confess that it took me some time to work out that the subject of this small novella is Dimitri Shostavkovich.

This book is written in this quiet manner, in the third person, in a somewhat stilted language that only barely masks rage and frustration. The sentences are brief, as are the paragraphs, and the three sections of the book are broken up into asterisked sections. For a book about a composer, there was little music: instead there were words, muttered and issued through clenched teeth.

After I belatedly realized that "he" was an actual figure, Shostakovich, I wondered if, in this information-rich world I should go off and google him before I proceeded. I didn't, but I do wonder if I might have got more from the book if I had done so.

Instead, because of my ignorance of the real-life historical figure and his biography, I almost had to read the book as an allegory. As such, then, its brevity was a real strength. I don't really now if I would have wanted it to go on for much longer.

For my full review, go to
https://residentjudge.wordpress.com/2016/12/29/the-noise-of-time-by-julian-barnes/

AL_KATYA Nov 27, 2016

This novel about the famous and controversial figure of Dm. Shostakovich is probably the best book written by a non-Russian about the Russian composer and the life in the former Soviet Union that I have ever read!

e
EmilyEm
Sep 28, 2016

Julian Barnes goes into the head of Russian composer Dmitri Dmitriyevich Shostakovich, writing a fictional memoir of the 20th century musician.

Readers will feel Shostakovich’s anguish at his peril, always one mistake away from Stalin’s machinations and later Khrushchev’s cunning. Barnes has written beautifully about art and an artist under the thumb of a repressive regime, while showing us how this composer managed to survive and thrive. Who knows what of his music might have been even more brilliant in a free society.

m
mclarjh
Aug 23, 2016

Well written, but I wonder why the author chose this subject; surely not to expound on the meaning of "irony." For those interested in Soviet Russia, this book will appeal to the "tea and sandwich" crowd, but for those who prefer "vodka and pierogis," I suggest Svetlana Aleksievich.

e
Eil_1
Aug 12, 2016

What I derived from this book; the despotic rule of Russian leaders that leads even good people to denounce anyone who is not favored by government. Be a hero and die or live as a coward and 'survive' to live a kind of death.

p
Pisinga
Aug 07, 2016

Neurotic, coward, womaniser, drank vodka like water... is the conclusion that you could make about composer Shostakovich after reading this book. He hated Soviet rules, but enjoyed good life under their governance.
Hated his music that was accepted by masses, was trying to promote some of his music, that he thought was a real music, but to my opinion, his symphonies and operas are hard to listen, they are very loud, unlike to his popular music. Maybe everything about Shostakovich in this book is true. Who knows? Even the author is not sure about that.
Barnes very often uses the same sentences over and over, from some pages to other ones.
Interestingly, I found an article about Shostakovich, in one of Russian newspaper from 2004, written by Russian journalist. Y o surprise – there are so many passages, word by word in this book than in that article that I unwittingly though – What is it? This book is published more than ten years later than that article. Both of them are using the same source, or this is some kind of a plagiarism?

h
herpwop1
Jul 02, 2016

More a rumination than a novel, the latest from Barnes is full of razor-sharp writing and lots of passages to highlight. The author chooses three crossroads in the Russian composer Shostakovich's life - when Stalin takes umbrage with his opera, Lady Macbeth Of Mtsensk and the composer is interrogated by a high Soviet official; when Shostakovich is compelled to attend the New York Peace Conference in 1948; when he is pressured to join the Communist Party in 1960. Barnes uses these three times to bring Shostakovich's character and moral dilemmas to life. Why did Shostokovich stay in the repressive Soviet Union where he had to make many concessions so that he could continue to write his music? We really cannot know what thoughts ran through his mind, but Barnes has taken the facts of the composer's life and extrapolated brilliantly to give the reader not only an idea of Shostakovich's personality, but the fear and terror that many felt under Stalin's regime. An intriguing question emerges from the book - does it take more courage to be a coward than to be a hero? Highly recommended!

ChristchurchLib Jun 23, 2016

When Stalin denounces his work in 1936, Russian composer Dmitri Shostakovich fully expects to be sent to a Siberian gulag or else put to death. But what actually happens is, in some ways, worse than exile or execution. Shostakovich is permitted to pursue his musical ambitions, provided that he demonstrates public support for a regime he despises. This moody, character-driven novel movingly depicts one artist's struggle to remain true to his creative vision while appeasing Soviet leaders who expect him to toe the Party line.

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Hadley
Jul 03, 2016

They always came for you in the middle of the night. And so, rather than be dragged from the apartment in his pyjamas, or forced to dress in front of some contemptuously impassive NKVD man, he would go to bed fully clothed, lying on top of the blankets, a small case already packed on the floor beside him. He barely slept, and lay there imagining the worst things a man could imagine. His restlessness in turn prevented Nita from sleeping. Each would lie there, pretending; also, pretending not to hear and smell the other's terror. One of his persistent waking nightmares was that the NKVD would seize Galya and pack her off—if she was lucky—to a special orphanage for children of enemies of the state. Where she would be given a new name and a new character; where she would be turned into a model Soviet citizen, a little sunflower lifting her face towards the great sun that called itself Stalin.

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